Listen now | Our guest Touré gives us a compelling, fascinating, and insightful account of who made the hip-hop of the 1980s that changed the way we listen to music, who listened to it, who got the profit, and what anti-establishment political speech came out of this music. We think you’ll appreciate Touré’s analysis of capitalism’s role in the production of hip-hop music, a role that fits into a narrative of corporate greed and increasing monopolization.
Speaking of the 80s and cringe straightforwardness... What would be better - to write a "cringe" political song like Bullet the Blue Sky by U2 that references US military adventures in no subtle manner or to remain 'exquisitely' silent throughout the entire Iraq and Afghanistan campaigns like the band did in the 2000s and 2010s?
Speaking of the 80s and cringe straightforwardness... What would be better - to write a "cringe" political song like Bullet the Blue Sky by U2 that references US military adventures in no subtle manner or to remain 'exquisitely' silent throughout the entire Iraq and Afghanistan campaigns like the band did in the 2000s and 2010s?
I can’t with Kyle’s music opinions they just broke my brain